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Johnny Mad Dog: A Novel, by Emmanuel Dongala
Ebook Johnny Mad Dog: A Novel, by Emmanuel Dongala
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A Los Angeles Times Book Review Favorite Book of the Year
Johnny Mad Dog, age sixteen, is a member of a rebel faction bent on seizing control of war-torn Congo. Laokolé, at the same age, simply wants to finish high school. Together, they narrate a crossing of paths that has explosive results. Set amid the chaos of West Africa's civil wars, and acclaimed by such writers as Philip Roth and Chinua Achebe, Emmanuel Dongala's powerful, exuberant, and terrifying new work is a coming-of-age story like no other.
- Sales Rank: #187633 in Books
- Published on: 2006-05-16
- Released on: 2006-05-16
- Original language: English
- Number of items: 1
- Dimensions: 8.50" h x .75" w x 5.50" l, .95 pounds
- Binding: Paperback
- 336 pages
From Publishers Weekly
Two teenagers are caught up in the melee as rival ethnic factions turn their Congolese city into a bloody battleground in this harrowing novel by Dongala (Little Boys Come from the Stars, etc.). Laokolé, a bright girl of 16 who dreams of one day becoming an engineer, flees home ahead of the marauding militias. With her younger brother and legless mother (whom she pushes in a wheelbarrow), she struggles not only to stay alive but to sustain her hopes for the future. Alternate chapters give readers the boastful voice of 15-year-old Johnny Mad Dog, a member of the Death Dealers militia, as he patrols the city with his Uzi, looting, raping and killing, eager to prove himself a man. Dongala, a native of the Congo Republic (formerly French Congo), offers an unflinching look at the greed and ignorance that drives fighters like Mad Dog, as well as the fear, desperation and anger of those trapped in the cross fire. Despite occasional wooden dialogue and the rather stagey showdown between the two narrators, Dongala frames some powerful questions: namely, how humans can be so cruel, and conversely, how do they maintain their humanity in the face of unremitting ugliness? As Mad Dog himself half-marvels, half-laments, "even if we looted them a thousand times, they would always manage to hang onto something." (May)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Booklist
This novel of civil war in West Africahas two teen narrators, and while both are more eloquent and grown-up in their thinking than seems possible, that barely detracts from the story's devastating power. The first storyteller is the eponymous Johnny, a child soldier serving in an irregular militia whose side has just won power. Johnny fancies himself an intellectual, but he constantly muddles history, and he struggles endlessly to think of an appropriately ruthless nickname for himself. The second narrator, Laokole, tells the same tale of murder, rape, and devastation that Johnny does but from a different perspective: that of a 16-year-old girl who just wants to save her younger brother and legless mother from the violence. A good student who wants to attend university, Laokole's journey of survival is particularly gut-wrenching because it alternates with Johnny's pathetic, adolescent evilness. At the beginning, Laokole wants to be an engineer; by the end, she wishes to be an astronaut. It's a magnificent symbol for Laokole's coming-of-age; her world, it seems, cannot be rebuilt--only escaped. John Green
Copyright © American Library Association. All rights reserved
Review
“Terrifying . . . Emmanuel Dongala grabs us from the start with a language that is rude and raw (Mad Dog's) and lyrical (Laokolé's). . . . He continues to vividly re-create his burning piece of earth.” ―The New York Times Book Review
“The manner in which Dongala juxtaposes these two characters' experiences explains more about these wars than most news stories ever could . . . Dongala's fast-paced, irreverent style makes the novel a memorable, thoroughly enjoyable read.” ―The Boston Globe
“Not only does [Dongala] show the terror, he shows the absurdity, the banality, even the cruel humor, [and] takes swipes at Western relief workers, UN troops, the international media, and 'political experts' who continue to recycle the same story from Africa's war zones.” ―Anderson Tepper, The Washington Post Book World
“Stark, blackly comic . . . In Laokolé and Mad Dog, Emmanuel Dongala gives us two equally extraordinary portraits of [his characters' brains].” ―Associated Press
Most helpful customer reviews
3 of 3 people found the following review helpful.
Intense Fear Made Palatable
By William T. Wildman
The book was neither "We wish to inform you that tomorrow we will be killed with our families" nor was it "Mortals" but it did manage to capture the ease with which people drift into mindless violence. The author appeared to believe that lack of education is a pre-requisite for senseless mayhem, apparently distinguishing senseless mayhem from sensible mayhem. Being such, it trotted out the usual examples of severed limbs, murderous over-reactions and bodies set alight. As in most cases, and possibly actual reality, whites and Europeans were generally exempted from the worst, although they were no doubt frightened out of their wits. For the reader its a footrace between fear and disgust but undoutedly these things happed and needless to say they must be chronicled in some fashion.
Like CSI, there was so much blood and guts that one became innured to it early on. it became a little predicatble, Africans gone wild killing each other while whites helicopter in for a photo shoot. As such it lacked much of the simmering outrage against Western Aid of "Capetown to Cairo". Are we to belive that all Amero-Europeans are superficial gawkers in swell transport while all Africans are helpless victims of both their own violence and the West's desire for entertainment?
That being said, the book did keep one's attention is sort of a movie-like way and even though the various outcomes were predictable, one could not wait for his worst fears regarding the main charaters to be realizied, but in a palatable form. Maybe literature is generally devolving into a screenplay; this book seemed to be
4 of 5 people found the following review helpful.
This book will break your heart
By Gary
Dongala's fictionalized account of an African civil war will make the suffering of the innocent deeply personal. He creates affection and concern for his characters, and then inflicts the pains of war on those characters... and on the reader as well.
The story is told by two of his characters, the teenage girl who is trying to protect her loved ones and the slightly-older teenage boy who is one of the fighters. In alternating chapters, the events of the war are related by these two. As their paths cross several times during the events, two versions are presented for a number of incidents. The boy's arrogant amoral role borders on criminal insanity, but Dongala makes him believable.
Dongala has created a "page-turner" here. Johnny Mad Dog is compelling and deeply disturbing.
11 of 12 people found the following review helpful.
A bitter struggle
By Luan Gaines
This book graphically portrays the horrific ordeal of innocents caught in the crossfire of rebel factions in civil war-torn West Africa. Hordes of people leave their homes and are relentlessly pursued by the rebels, in this case a group called Mata Mata, the cause narrated by 16-year old Johnny Mad Dog. While marching his "men" from place to place and killing so-called traitors indiscriminately, the young men loot and rape with impunity, proud of their manly prowess and totally oblivious to those they destroy.
With youthful hubris, Johnny Mad Dog considers himself an intellectual, but his arrogance far exceeds his native intelligence, as brutal a character as any seasoned veteran. He rationalizes his actions, spouting policy in rejecting "the previous government and its leader, enemies of the people and democracy, a genocidal regime... I think that's what we'd been told to say."
In sharp contrast, the 16-year old Laokole leaves her shabby hut with her brother and legless mother in a wheelbarrow, the children taking turns pushing. Along the way, the brother, Fofo is separated from his sister and mother. The mother's legs are a casualty of the last rebel rampage, when her husband was shot. Laokole thinks about the futility of their plight, danger at every turn, even "why a woman should limit the number of her own children: because the fewer children you had, the more easily you could flee in times of war and looting." Nowhere is safe in this chaotic world, turned upside-down by the rebels, soldiers, bandits, all interchangeable, young and old pursued, "for no one is too old to flee death". Everyone carries their most prized possessions, for Laokole and Fofo it is their mother.
By contrasting the lives of the two teenagers, Johnny Mad Dog and Laokole, the author paints a stunning picture of depravity vs. courage. Laokole is the voice of humanity, while Johnny Mad Dog is corrupted by power, depraved by senseless murders, excusing his own brutality: "I know, I know, my kind heart is going to get me in serious trouble." In alternating chapters, the girl and the young man maneuver through the unremitting violence that is total chaos. The carnage is everywhere, death stalking the streets with each fetish-wearing youth with a rifle in his hands.
The refugees look for their story to be told on the television, but nothing is mentioned on American TV. The European stations have some coverage, "images I've seen a thousand times on programs about Rwanda, Angola, Sierra Leone, Liberia, the Central African Republic and eastern Zaire". Africa is seen on the screen as a vast refugee camp, "the ragged, wandering hordes." This painful, but important novel gives voice to the massacre of innocents, over 10, 000 deaths, half a million displaced persons and refugees, a humanitarian catastrophe. "How can you have hope in a country when the road to power is littered with corpses?" The haunting voice of this young woman tells the story of millions, abandoned to their fate. When will the world respond to this genocidal nightmare? Luan Gaines/2005.
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