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"Militant and Triumphant" aims to fill a major gap in the historical record of American Catholicism by presenting a portrait of Cardinal William Henry O'Connell and his significance in the Church and his times. Focusing on both the triumphs and controversies of O'Connell's career, James M. O'Toole chronicles the history of the catholic church in Boston in the first half of the 20th century. The biography begins with a discussion of O'Connell's Irish immigrant youth and education and his early positions as rector of the American College in Rome and bishop of Portland, Maine. O'Toole convincingly demonstrates that, as a bishop, O'Connell actively built his own public image while ambitiously campaigning for the position of archbishop of Boston. The most enduring success, O'Toole argues, of O'Connell's 37-year tenure as archbishop of Boston - despite a sexual and financial scandal surrounding his nephew, the archdiocesan chancellor - was his elaboration of "a personal style of leadership that was different from that of earlier bishops, changing the expectations for catholic bishops in America by thrusting on them the role of public figures they have generally sought to play since". Throughout, the book examines O'Connell's cultural and symbolic leadership of New England's Catholic population, and describes O'Connell's role in defining American catholicism as both "militant and triumphant": asserting its cultural vision beyond narrow denominational boundaries into broad areas of public morality, and confident of its eventual triumph over secular standards.
- Sales Rank: #1790395 in Books
- Published on: 1992-02
- Original language: English
- Number of items: 1
- Dimensions: 9.50" h x 6.50" w x 1.00" l,
- Binding: Hardcover
- 320 pages
Most helpful customer reviews
0 of 0 people found the following review helpful.
Power and Its Limits at the Apex of the American Roman Catholic Church, Depicted in a Biography of a Gay, Corrupt Prelate
By Gerald Parker
"Militant and Triumphant: William Henry O`Connell and the Catholic Church in Boston, 1859-1944" (University of Notre-Dame Press, 1992), by James O`Toole (a professor at my undergraduate alma mater, the University of Massachusetts at Boston) is a no-holds-barred biography of this figure. William O`Connell happens to be the prelate loosely depicted in the novel, and in the film based thereon, both titled "The Cardinal", although the novel and the film, unlike O`Toole`s scholarly biograhy, only hint at the depravity that lurked below the surface, away from public view, of Cardinal Abp. William Henry O`Connell`s life. O`Toole`s own book reveals O`Connell`s many faults, but it does not pillory him.
This biography renders a fair account of O`Connell`s life and career and of the religious milieu of O`Connell`s time, when Roman Catholic faith and worship flourished, as yet unsabotaged by the grinding vulgarity, liturgical downgrade, superficiality, the outright unbelief that have set in so widely after 1965, and lastly and perhaps worst of all (reflecting so much of the rest of these problems), the dreadful "Novus Ordo" liturgies which came into use at the dawn of the 1970s, as well as all too much of the other sheer rot and decline that so have come to bedevil and to mar the Catholic Church after the Second Vatican Council. Let`s face it, regarding O`Connell himself, without O`Toole exaggerating anything, one comes to understand the personal shallowness and failings of this priestly-turned-prelatical careerist and opportunist quite well enough simply by reading what O`Toole reveals about O`Connell, such as concerning:
-- pilfering of church funds,
-- self-indulgence, love of luxury, and frequent absenteeism to travel abroad (the lastmost expensive hobby giving rise to his nickname of "Gangplank Bill!),
-- nepotism,
-- tolerance of secret clergy marriages (including that of his own nephew, Mgr. James O`Connell),
-- arrogance and bombast (which recall, among vintage comix characters of yesteryear, the risible "Major Hoople" a lot more than the likes of the heroically powerful and wealthy yet virtuous "Daddy Warbucks" of "Little Orphen Annie"),
-- secretiveness and hypocrisy; an example of this is O`Connell`s own "closeted" homosexuality (though O`Toole approaches this more gingerly, expressing more reservations about it than have some others, whose accusations point to O`Connell as the source of the systematic practice and clerical tolerance of the beastly pederasty and ephebophilia of the Boston Archdiocese`s priests that have resulted in the outbreak of terrible scandals during the episcopates of his successors over the decades subsequent to O`Connell`s death),
-- selfishness,
-- bullying,
-- real cowardice (despite all of his bluster, posing, and tormenting of the vulnerable), making him likely to back off cravenly from many strong confrontations (despite his public relations image of steadfastness and courage),
-- general worldliness and indifference to spiritual matters such as liturgy, praying the Breviary, and other matters of truly religious importance beyond the Church`s most materialistically and blatantly institutional concerns.
-- and there is too much more to continue to enumerate here!
The book is exceedingly well researched, with copious use of primary manuscript sources as well as of all kinds of printed literature in book and serial form, as anyone who follows up the many back-references will discover for himself.
Only a fuller treatment of O`Connell`s worthy efforts at music is lacking, which O`Toole mentions here and there but without covering so well as O`Connell`s musical contribution merits (to account for perhaps with the assistance of an academic or other practising music professional). The man who became Cardinal of Boston, if he had followed another career path, could have become an accomplished professional pianist and composer, perhaps a singer, too. I once had the opportunity, early in my music library career, to catalogue a bit of Cardinal O`Connell`s fine Latin Church music in manuscript (though he is best remembered for his pious and once popular vernacular hymns), which partly is how I became interested in this ecclesiastical figure. Cardinal O`Connell became rather well known for his pre-Vatican II hymns, which were genuinely popular as productions of musical piety for those times.
The book makes for a good read and a first-rate contribution to the study of Roman Catholicism`s history and sociology, not only in the Archdiocese of Boston, but in North America more generally.
0 of 1 people found the following review helpful.
History Generates Organisational Problems: O'Connell
By Phillipwh
Good book, interesting for Catholics to read. O'Connell's naked ambition was apparent to local priests and bishops as he slithered to the top job he sought.
If what this book claims is correct, O'Connell was not fit to be a catholic priest!
I love the tongue in cheek "the closer you get to the centre of the apple, the more likely you are to meet the worm." Worms do well in Church insecurity which has been dragged bleeding into the modern age.
Pius IX excommunicated those left and and centre when he lost the Papal States, a loss which was in fact a liberation for Italy for the Church. (read: Prisoner of the Vatican.
It is in the context of this fear and suspicion that people like O'Connell can wriggle their way to the top. Still to this day, Bishops are appointed by a Rome (rather than by the local church) fearful of modernity, a Roman Bureaucracy which tries to undo Lumen Gentium guidance of Vatican II. It is in the environment of suspicion, where priests must appear to toe the line as O'Connell did, that the pedophiles have masquerading as priests while the decent toiler was sidelined. There is a good book on Cardinal Moran in Sydney. I would love some good heavy historical work to done on Cardinal Spellman!
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